A man who escapes the Colorado town of Cliffwood warns M.A.S.K. that masked strangers have taken it over. V.E.N.O.M. is hypnotizing the townspeople through television sets so that they will take apart a top secret laser cannon from a military train and rebuild it in an old lumber mill, with Texas oil fields as the target of a ransom demand. The agents' masks protect them from the signal, but they cannot fight the crowd. After finding the sunken train, M.A.S.K. tracks the broadcast to its source and moves to stop the cannon.
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A television cartoon that makes television its villain has a peculiar kind of nerve, and Video VENOM, credited to Jeffrey Scott, has plenty of it. A man who has escaped from the town of Cliffwood, Colorado tells Matt that masked strangers tied him up and took the place over; the computer runs a stress analysis, pronounces him truthful, and then recites the town's population, its elevation, its one road and its one railway line as if reading from a travel guide. The mystery is small and well chosen. Nobody can say what V.E.N.O.M. wants with a quiet lumber town until the computer recalls that a top secret laser cannon is due to pass through on a military train at nine in the morning.
The idea the episode is really about is that the medium has become the monster. V.E.N.O.M. turns ordinary television sets into hypnosis machines, and the agents' masks protect them from the effect, which the team works out when it sees a man heading for a television and decides its masks must be protecting it. M.A.S.K. then spends the middle of the episode unable to fight the very people it has come to rescue. The idea is more interesting than the plot built on it, and it gives the episode a villain that is also a piece of furniture in every viewer's living room.
Beyond that the writing keeps its engine simple. A train has vanished, and a maxim about a magician making something vanish only to the eyes leads the team to a lake and a metal detector; the cannon is being reassembled in an old lumber mill; the ransom is that Texas oil companies will pay billions to save their oil fields from being incinerated. A request to borrow Gator and its co-pilot, so that they can go swimming for a train, is a nicely dry bit of banter, and the sunken train is a satisfying thing to find.
The voices lean on the western-flavoured exclamations that run through the dialogue, what in the Sam Hill and why in tarnation, which give the rescue a homely sound against the cold hum of the screens.
The standout is the discovery of the train. Nobody at the next station has seen it, and the team decides it must still be there, only unseen. It is a small piece of deduction, and it gives the middle of the episode a clean shape.
The weak spot is the stakes. The oil-field threat arrives late, in a single line, and the fields remain a sentence in a villain's mouth. When someone asks why V.E.N.O.M. would rebuild a laser cannon in an old lumber mill, the answer is a promise to find out once the villains have been stopped, and the mill never quite justifies the trouble. The hypnotized townspeople, who might have been the episode's most frightening element, mostly serve as an obstacle the team cannot get past without hurting them.
Even so, it holds together better than much of the run. It has a threat with a face, clues that unspool in order, and a villain whose weapon is a screen, which is a decent thing to put in front of an audience that was already watching one!
- The M.A.S.K. wiki records that Vanessa Warfield pilots Switchblade in this episode, and that Gloria Baker is Gator's co-pilot.
- The M.A.S.K. wiki lists the line that a magician makes the rabbit vanish only for the eyes among Bruce Sato's maxims, an echo of the illusion line in the previous episode.
- The M.A.S.K. wiki lists a continuity slip in the agent call-up: Brad Turner has blond hair and a blue shirt in one shot and his usual brown hair and a red shirt in the next, and the drummer's colours change with him.
- The M.A.S.K. wiki says that Matt takes the underground monorail from his mansion to Boulder Hill on his own, although Gloria Baker was at the mansion too.
- The M.A.S.K. wiki lists a recurring colouring error in which Sly Rax's trousers are the olive green of his jacket instead of blue in several shots.
- The M.A.S.K. wiki lists a Golden Books coloring book called Video VENOM, and gives the recording date of the episode as September 20, 1985.
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