In Reykjavik, where Matt Trakker sits on the advisory board of a geothermal plant, every boat in the harbor has lost its sails. Matt and Bruce Sato find scraps of sailcloth on the tundra, cut with blades as sharp as a laser beam, and conclude that only V.E.N.O.M. has an edge that sharp. Miles Mayhem is after Viking gold that has lain under snow and lava for centuries, and he will not blast for it. Instead his crew stitches sailcloth while the plant's steam is diverted, and Matt works out that a balloon of sailcloth filled with steam could lift an entire city off its foundation. Scott and T-Bob wander into the lava tunnels beneath the town and find the operation.
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Most V.E.N.O.M. plots end in an explosion, so it is a pleasant change to meet a scheme that begins with a needle. Every boat in a harbor has lost its sails, a pile of sailcloth sits on the tundra like snow, and the stitches are too perfect for cobbler's elves. The cloth was cut by blades as sharp as a laser beam, which narrows the suspects to one gang, and from there the episode keeps coming back to sewing jokes. Christmas in July, a sewing bee, sewing classes, a threat to sew someone's lips together; a good part of the first half is a tailor's shop with menaces.
The scheme is gentle on purpose, and that is the idea the episode is built on. Miles Mayhem is after Viking treasure that lay under snow and then lava for centuries, and when one of the crew asks why they cannot blast their way in, Mayhem refuses because blasting would destroy the very thing they came for. So V.E.N.O.M. is patient for once: it steals the sails, kidnaps what seem to be the town's sailmakers to stitch them, diverts the plant's geothermal steam, and plans to lift a city off its foundation in a balloon. Matt works out the plan aloud, and it is better for being so slow. The episode is about a villain who chooses care over force, and the heroes' job is to find out what that care looks like.
It is also, unmistakably, a postcard from Iceland. Matt explains geothermal energy to Scott with a cone of steam, someone guesses it is a new kind of underwear, and the town's volcanic origins turn into the setup for the plot: a subway of empty lava tunnels under the city, which later turns out to be exactly where the villains are working. It is a small, tidy piece of setup and payoff, and the show clearly enjoys being informative; the running gag with Icelandic food, from dried fish mistaken for a lollipop to a pickled herring memento that Scott receives in stunned silence, carries the same cheerfulness.
The animation puts its energy into fabric. Workers stretch a long white sheet over a drilling machine, a huge quilted balloon bulges against a cave wall, and when it inflates the cloth ripples and scraps fly through the air around Scott and T-Bob as they ride through the storm. Mud finishes the job: a brown star-shaped splatter, then a pool of swirling brown in the cave. The painted Reykjavik is neat, a row of colorful houses on a cobbled street and a blue house with a balcony, though the lava tubes themselves look like any other cave.
The standout is the balloon. A scheme made of cloth is hard to menace with, so the balloon gets plenty of movement: it swells, strains, settles on the cave floor in heavy folds, and a torn hole in the fabric shows red and blue shapes behind it. The sequence has the one thing the plot needs most, a sense that the thing V.E.N.O.M. has built is huge, and the fact that it is stitched together makes it easy to believe that it could fall apart.
The weakness is the title. The Lost Fleet promises ships, and what Matt actually describes is a Viking harbor buried by snowfall and lava, which the viewer sees only as a chest of gold vases and plates and a promise that the treasure will be out of the mud and on display next year. The finish is brisk: Scott's excuse is that he was making mud pies, and the city's power is restored.
It is a good-natured episode, built on a smart reversal and a taste for puns, and it earns its place by letting V.E.N.O.M. be careful. Mayhem wants the treasure undamaged, so his weapon is a needle, and the heroes spend the episode learning to respect it.
- The M.A.S.K. wiki records this as the first appearance of Jacques LaFleur and Nash Gorey, and of their vehicles Volcano and Outlaw.
- The wiki's continuity notes say Bruce Sato starts the mission as Thunderhawk's co-pilot and takes over the driving when Matt switches to Volcano.
- The M.A.S.K. wiki points out that Miles Mayhem is dressed in his Outlaw uniform with the Python mask but still uses Switchblade as his main vehicle.
- The wiki's errors list says Matt says "According to Spectrum" while wearing his Lava Shot mask, and that Sly Rax's mask lowers onto his head in a split-screen shot even though his motorcycle has no roof.
- The M.A.S.K. wiki lists the Satoisms in this episode as the one about sugar and sweet nothings where one's teeth used to be, and the one about seeing nothing and seeing everything.
- According to the wiki, Brendan McKane voices both Miles Mayhem and Jacques LaFleur here, and Doug Stone voices Matt, Bruce and Nash Gorey.
- The M.A.S.K. wiki credits the story to Jina Bacarr, who is also credited as writer of Riddle of the Raven Master.
- The closing safety tip, per the M.A.S.K. wiki, has Scott reminding T-Bob to hold the ladder he is climbing to retrieve a kite from the Trakker mansion roof.
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