In the Everglades, two boys from a reptile farm find a full-size plywood space shuttle, and Alex Sector brings the news to Matt Trakker. Matt, Scott and T-Bob fly out and learn that V.E.N.O.M. plans to steal the real shuttle at Cape Canaveral and fly it low over the decoy so chasing planes think it has crashed. Fleeing Cliff Dagger, Matt is bitten by a poisonous snake and is put on bed rest after Scott and T-Bob fetch serum. Alex leads the team to the Cape, where Vanessa Warfield launches the shuttle. Matt slips away, and with T-Bob at the Thunderhawk controls the two shoot the shuttle down.
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Who builds a full-size space shuttle out of plywood, parks it in a swamp, and then waits for someone to fly over? Only a villain who knows that nobody will ever walk up and knock on the hull. The decoy in The Everglades Oddity needs a convincing skin and nothing else, and when Alex Sector's find is checked out, it is called a space-age Trojan horse once they see how little is behind the paint.
The scheme is easy to follow even in a cartoon with no time to spare. Miles Mayhem has a contact inside the launch control room in Major Krauss, a pilot in Vanessa Warfield, and a route that takes the stolen shuttle low over the mock-up so that the chase planes decide it has crashed and turn for home. What the episode is really about is how long M.A.S.K. can function without Matt Trakker, and the answer is a sensible one for most of its length. A snake bite takes Matt out of the field, Alex steps up as mission leader, the computer builds the rescue team around him, and Julio Lopez is added with the specific job of looking after the patient. Then the plot finds a way to put the Trakkers back in the middle of the climax anyway. The episode benches its star to show how deep the bench is, and spends its last act letting him back onto the field.
The writing is at its best in the swamp. Matt and Alex slip away from Cliff Dagger under cover of smoke, set off toward the reptile farm, and the bite arrives in the middle of a conversation about how long the walk will be. Alex gives the odds out loud, a window of minutes to hours, and mentions that the snakebite kit is back in the airboat, which gives the cartoon a real clock to work against. Scott and T-Bob then head back for the serum, and for a few minutes the stakes belong to the family rather than to the shuttle. The opening is lighter: T-Bob in a chef's hat at the barbecue, Scott's toy biplane getting cooked, and a running joke about the Red Baron that sets a lighter tone.
The animation saves its effort for the set pieces. The shuttle on its pad beside the gantry, the half-buried silver fuselage in the grass, the fireball that streaks past a grey hull, and the shuttle lying on its belly in an open field are all clean, readable images, and the blue computer screens that show the dossiers match the house style of the series. The voice work has most to offer in the V.E.N.O.M. scenes, where Mayhem boasts that he buys the best, pilots and security chiefs included, and the scene gives Vanessa and the Major their orders.
The standout is Matt's reaction to being benched. Told that Julio has ordered two weeks of bed rest, he answers that if he cannot play, he will coach, and a few scenes later that is what happens: with the fever flaring and the shuttle already in the air, Matt gets into the Thunderhawk, T-Bob ends up at the controls, and Matt talks him through the laser sights and the fire button in plain words while T-Bob protests that he cannot fly. The shuttle comes down on the very field V.E.N.O.M. had picked as its alibi, which is a neat piece of symmetry for a plan that was meant to stay unseen.
The weakness is the bite itself. In the swamp it is a matter of life and death with a timer on it, yet one injection brings Matt back to wisecracks, and the fever returns only when the story needs him in a cockpit. A tighter script would have let the illness settle who flies, so that we could believe in it instead of watching it switch on and off. The argument that a sick man should stay home never gets its turn.
It is a slight episode, though a good showcase for Alex Sector, and the plywood shuttle is the best idea in it.
- The M.A.S.K. wiki lists the Knight Books paperback of this episode as number 07 in the series, written by Kenneth Harper and Bruce Hogarth and published in 1986.
- The M.A.S.K. wiki's continuity notes say Julio Lopez's vehicle is mentioned as Firefly during agent selection and later called Dragonfly, an early prototype name, by Alex, and that it is never seen or used in the episode.
- The M.A.S.K. wiki records that Alex Sector uses code 1229 to activate the Thunderhawk computer and code 1330 to have it recommend mission personnel, and that the computer picks Julio Lopez only as Matt's personal physician.
- The M.A.S.K. wiki lists several errors, among them the countdown that Tower Control stops at two minutes while the countdown is still running at 24 minutes 35 seconds when Sly Rax overrides it, and Ace Riker's sleeves and collar changing colour when he first appears in the Transport Jet.
- The M.A.S.K. wiki says Rhino is caught in the shuttle's exhaust at liftoff and that Thunderhawk is damaged when T-Bob crashes it into a tree.
- The M.A.S.K. wiki credits Doug Stone with Matt Trakker, Dusty Hayes, Osk and Major David Krauss, and Brendan McKane with both Miles Mayhem and Alex Sector.
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